Beverly Sainte-Marie, OC, singer, songwriter, multi-instrumentalist, educator, social activist, philanthropist, visual artist (born 20 February 1941 on Piapot Reserve, SK). A pioneering and influential singer-songwriter, Buffy Sainte-Marie specializes in love songs and music with a political and social-activist focus. She was an important figure in the Greenwich Village and Toronto folk music revivals in the 1960s, and is perhaps best known for her 1964 anti-war anthem “Universal Soldier,” which was inducted into the Canadian Songwriters Hall of Fame in 2005. She won a Golden Globe, a BAFTA and an Academy Award for co-writing the hit song “Up Where We Belong.” An Officer of the Order of Canada, she has been inducted into the Canadian Music Hall of Fame, the Canadian Country Music Hall of Fame and Canada’s Walk of Fame. She has received the Polaris Music Prize and the Governor General’s Performing Arts Award, as well as multiple Juno Awards, Canadian Aboriginal Music Awards, lifetime achievement awards and honorary degrees.
Uuliniq Susan Aglukark, OC, singer, songwriter (born 27 January 1967 in Churchill, MB). Susan Aglukark is a Juno Award-winning Inuk singer and songwriter. Her blend of country, world music and easy-listening pop is distinguished by her gentle voice, upbeat melodies and inspirational lyrics sung in English and Inuktitut. Her album This Child (1995) sold more than 300,000 copies in Canada and the lead single, “O Siem,” became the first Top 10 hit by an Inuk performer. She was made an Officer of the Order of Canada for her “powerful songs that relate the stories of Canada’s Inuit” and for her advocacy for the people and communities of Canada’s North. She has also mentored Indigenous artists and students, and received a Governor General’s Award for Lifetime Artistic Achievement in 2016.
Diana (Jean) Krall. Jazz singer, pianist, songwriter, b Nanaimo, BC, 16 Nov 1964. Originally a pianist who sang only occasionally, Diana Krall's sultry delivery of classic love songs from the American songbook helped revitalize the role of the female singer in jazz and spurred record companies to sign other singers who might be able to emulate Krall's worldwide popularity.