Abenaki

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Abenaki Peoples

The Abenaki Nation is generally divided into two groups: Eastern and Western Abenaki. Together, the two groups have historically covered areas from Lake Champlain in Quebec to parts of Maine, New Hampshire, New York and Vermont in the United States.

Together with the Wolastoqiyik (Maliseet), Passamaquoddy, Mi’kmaq and Penobscot, the Abenaki formed the Wabanaki Confederacy in about 1680. This was a political and cultural union that played a significant role in wars against the Haudenosaunee and in the American Revolution (See also American Revolution and Canada) In 1993, the confederacy was revived. Since then, the confederacy has asserted Indigenous rights in issues regarding ecology, health, and access to land and natural resources.

There were also several Algonquian communities in New England who were culturally and/or politically associated with the Abenaki, including the Caniba (or Kennebec), Androscoggin, Wawenock and Pequawket.

Population and Territory

In the 1600s, the Eastern Abenaki occupied what is now the state of Maine, except for its northern and easternmost portions. The Western Abenaki lived in the rest of northern New England, from New Hampshire to Lake Champlain. In 1675-76, resulting from King Philip’s War in the New England region, the Western Abenaki moved to the St. Lawrence Valley. (See also Abenaki of the St. Lawrence Valley.)

In the 2021 census, 5,320 people identified as having Abenaki ancestry. According to the Government of Canada, the total population of Abenaki people registered with the Première Nation des Abénakis de Wôlinak and Conseil des Abénakis d’Odanak communities is 710 and 3,108, respectively.. Abenaki people also reside in other parts of Canada as well as in the United States.

Pre-colonial Life

During much of the 17th century, the Abenaki were hunters, fishers and gatherers. Additionally, the Abenaki grew crops including corn, beans and squash. They travelled mainly by birchbark canoes on lakes and streams and lived in villages near waterfalls on major rivers during the seasons when migratory fish could be harvested. During other seasons, they dispersed in family groups to the coast or to small camps on interior tributaries. These camps became the bases of trapping territories during the heyday of the fur trade. When the trade declined, many turned to the lumber industry and basketry. Attempts to adopt agriculture did not succeed until after the fur trade developed because farming alone was too risky as a full-time occupation. The Abenaki adapted quickly to the fur trade and a world economy.

Culture

Abenaki culture is rich with oral histories, traditional teachings, art, drumming and dancing. Although some traditional practices and ceremonies were suppressed by restrictive federal policies and legislation, such as residential schools and the Indian Act, Abenaki culture has survived and continues to thrive. The Musée des Abénakis, a museum that focuses on Western Abenaki history and culture, is located in Odanak. Some well-known Abenaki people include filmmaker and singer Alanis Obomsawin, artist Joyce Panadis, Chief and writer Joseph Laurent and artist Christine Sioui-Wawanoloath.

Language

The Western and Eastern Abenaki spoke closely related Algonquian languages, each having various local dialects. Eastern Abenaki had at least four such dialects: Pequawket (Pigwacket), Arosaguntacook (Aroosagunticook), Kennebec and Penobscot. All Abenaki were part of the Eastern Algonquian cultures and were separated from other Algonquians in the west and north by a migration of Iroquoian-speaking cultures, a process that took place over the last 1,000 years. Both of these languages are endangered in Canada and the United States, although local communities have made efforts to revitalize the language. (See also Indigenous Languages in Canada.)

Religion and Spirituality

Gici Niwaskw is the “Great Spirit” or Creator in Abenaki and southern Wabanaki oral tradition and spirituality. Sometimes referred to as Tabaldak/Dabaldak (“Lord”) or Niwaskowôgan (“Great Spirit”) in Abenaki, the Creator is a benevolent and abstract being who does not directly interact with humans. As in other Algonquian communities, the Great Spirit in Abenaki tales is rarely personified, and traditional stories did not assign the Creator a gender.

Creation Stories

Gici Niwaskw is said to have created the entire world. In some Abenaki oral traditions, there was no sound or colour until the Creator filled the empty Earth with life and light. He commanded Tolba, the Great Turtle, to emerge from the water and form the land. Moskwas, the muskrat, dove into the water to collect mud that was placed on the back of Tolba to create the land. Gici Niwaskw created mountains and valleys on Tolba’s back and clouds above his head. While he slept, Gici Niwaskw envisioned humans and different types of animals. When he awoke, he saw that his dream had become a reality. Different Abenaki people have variations of this and other creation stories, but all generally feature a Creator figure.

While the Creator made the world and the creatures upon it, the details of maintaining and transforming or taming the landscape were given to the cultural hero Gluskabe (Glooscap or Kluskap), who figures importantly in many Wabanaki tales. There are various versions of the story, depending on the nation. According to most tales, Gluskabe is neither a god nor human but is instead considered somewhere between the two. Additionally, Gluskabe is a cultural hero, a trickster who had supernatural powers and used them to manipulate the world around it, making it more habitable for the humans. For example, he tempered the winds, tamed wild animals and managed the waters. In many tales, he leaves the Abenaki but promises to return if they ever need him.

Colonial History

The Abenaki are prominent in the journals of explorer Samuel de Champlain, and those of other explorers and missionaries. Between 1600 and 1610, there were approximately 13,800 Eastern Abenaki and 12,000 Western Abenaki. Within a few decades of contact with Europeans, diseases, particularly measles and smallpox, reduced the populations in many communities by up to 98 per cent. Surviving Western Abenaki withdrew into refugee communities in northern New England and Quebec. (See also Abenaki of the St. Lawrence Valley.) The Eastern Abenaki were not as devastated by warfare and disease, and their principal community at Old Town, Maine, has survived to the present.

Traditional allies of the French, the Abenaki were left with little defence against English expansion after the fall of New France in 1760, forcing them into weak alliances with other Indigenous nations formerly allied with the French. The Abenaki (and other Eastern Indigenous nations) signed treaties with the British during the 1700s commonly known as the Peace and Friendship Treaties. These agreements were chiefly designed to prevent war between enemies and to facilitate trade. The American Revolution split the Eastern Abenaki from the Western Abenaki, most of whom were living in Quebec. The Abenaki remained divided in their loyalties through the War of 1812.

Land Claim

A land claim settlement in February 1995 between the Eastern Abenaki Penobscot Nation and the state of Maine was broadened to include allied Wolastoqiyik (Maliseet) and Passamaquoddy residing there.

In 1996, the Première Nation des Abénakis de Wôlinak and Conseil des Abénakis d’Odanak filed a land claim for a former reserve located northwest of La Tuque, known as Crespieul. the Abenaki alleged the 33.8 km² reserve, created in 1894, was ceded (surrendered) to the federal government in 1910 without their proper consent. The claim was accepted for negotiation in 2001; in 2003, the parties began the negotiation process. The claim was settled in 2007. For the loss of their lands, the Première Nation des Abénakis de Wôlinak and Conseil des Abénakis d’Odanak were awarded about $4.8 million.

Contemporary Life

Today, most Abenaki are engaged in mainstream occupations of Quebec and New England. They continue to be known for the quality of their ash-splint basketry and their oral traditions. There are several organizations that exist to foster various aspects of traditional Abenaki culture and to promote broader understanding of their history and arts.