Ookpik, which means “snowy owl” or “Arctic owl” in Inuktitut, is the name of one of the most popular of Inuit handicrafts, a souvenir sealskin owl with a large head and big eyes. In the 1960s, Ookpik became a popular national symbol after the federal government chose it to represent Canada at the 1963 trade fair in Philadelphia. Today, Ookpik is less popular among consumers, but it still holds significance for some Inuit artists and toy collectors.
The classic definition of studio pottery is the hand-production of everyday pots for everyday life. Anti-industry, the movement emerged in Canada during the 1940s founded, for the most part, by European émigrés. Many of them were husband-and-wife partnerships operating across rural Canada.
Country furniture is probably best understood as material produced after or similar to the mainstream of influences or period styles (eg, Chippendale, Hepplewhite, Sheraton), using local woods and influenced by the limitations of the cabinetmaker's tool chest, imagination and level of workmanship.