The game is six degrees of Canadian history. Take two seemingly unrelated pieces of Canadian culture and connect the dots through various people, places and events to discover how they’re distantly — or maybe not-so-distantly — related. Along the way, we visit the quizzical and curious, the tragic and comic, and everything in between.
Berta Lynn Seymour, née Springbett, dancer, choreographer (b at Wainwright, Alta 8 Mar 1939). One of the greatest dramatic ballerinas of the century, Seymour studied at the Rosemary Deveson School and with Nicolai Svetlanoff in Vancouver before entering the Sadler's Wells School in England (1954).
Like other Montréal artists such as Prudence Heward, Regina Seiden specialized in portraits of women, including representations of immigrants to Canada. Seiden stopped painting soon after her marriage to German-Jewish painter Eric Goldberg (1890–1969) to dedicate herself to their relationship and Goldberg’s career. After Goldberg died, Seiden started to paint again but never regained the momentum of her early years. Despite her brief career, Regina Seiden is now recognized as an important Montréal artist of the early 20th century who studied alongside members of the Beaver Hall Group.
Kiawak Ashoona (also known as Kiugak), sculptor (b at Tariugajak, Baffin Island, Nunavut 16 Sept 1933). Son of renowned Inuit artist Pitseolak Ashoona, Kiawak recounts that his own prodigious artistic career began in his childhood, while the family was still living at a camp on the land.
Mungo Martin, or Nakapankam, meaning a potlatch chief "ten times over," or Datsa, meaning "grandfather," Northwest Coast carver, painter, singer, songwriter, teacher (b at Fort Rupert, Vancouver Island 1879; d at Victoria 16 Aug 1962), stepson of Charlie James (recognized Kwakwaka'wakw carver), and tutor to Henry Hunt, Tony Hunt, and Bill Reid.