Abenaki (also referred to as Wobanaki or Wabanaki) take their name from a word in their own language meaning “dawn-land people” or “people from the east.” Their traditional lands included parts of southeastern Québec, western Maine and northern New England. As of 2016, the total registered population of Abenaki people on the Wôlinak and Odanak reserves in Québec is 1,909 and 2,457, respectively.
The Abenaki Nation is generally divided into two groups: Eastern and Western Abenaki. Together, the two groups have historically covered areas from Lake Champlain in Québec to parts of Maine, New Hampshire and Vermont.
Together with the Welastekwewiyik (Maliseet), Passamaquoddy, Mi’kmaq and Penobscot, the Abenaki formed the Wabanaki Confederacy in the 1680s. This was a political and cultural union that played a significant role in wars against the Haudenosaunee and in the American Revolution (see American Revolution — Invasion of Canada). In 1993, the confederacy was revived, and now includes the Métis Nation. Since then, the confederacy has asserted Indigenous rights in issues regarding ecology, health, and access to land and natural resources.
There were also several Algonquian bands in New England who were culturally and/or politically associated with the Abenaki, including the Caniba (or Kennebec), Norridgewock, Androscoggin, Wawenock and Pequawket.
In the 1600s, the Eastern Abenaki occupied what is now the state of Maine, except for its northern and easternmost portions. The Western Abenaki lived in the rest of northern New England, from New Hampshire to Lake Champlain. The Iroquoians eventually expanded through the St. Lawrence Valley, but the region opened up to Western Abenaki expansion when the Iroquoians withdrew westward (see Abenaki of the St. Lawrence Valley).
During much of the 17th century, the Abenaki were hunters, fishers and gatherers. Favoured game was more often moose than deer. They travelled mainly by birchbark canoes on lakes and streams, and lived in villages near waterfalls on major rivers during the seasons when migratory fish could be harvested. During other seasons, they dispersed in family groups to the coast or to small camps on interior tributaries. These camps became the bases of trapping territories during the heyday of the fur trade. When the trade declined, many turned to the lumber industry and basketry. Attempts to adopt agriculture did not succeed until after the fur trade developed because farming alone was too risky as a full-time occupation. The Abenaki adapted quickly to the fur trade and a world economy.
Abenaki culture is rich with oral histories, traditional teachings, art, drumming and dancing (see Powwow). Although some traditional practices and ceremonies were suppressed by restrictive federal policies and legislation (see Residential Schools; Indian Act), Abenaki culture has survived and continues to thrive. The Musée des Abénakis, a museum that focuses on Western Abenaki history and culture, is located in Odanak. Some well-known Abenaki people include filmmaker and singer Alanis Obomsawin, artist Joyce Panadis, chief and writer Joseph Laurent and artist Christine Sioui-Wawanoloath.
The Western and Eastern Abenaki spoke closely related Algonquian languages, each having various local dialects. Eastern Abenaki had at least four such dialects: Pequawket (Pigwacket), Arosaguntacook (Aroosagunticook), Kennebec and Penobscot. All Abenaki were part of the Eastern Algonquian cultures, and were separated from other Algonquian in the west and north by a migration of Iroquoian-speaking cultures, a process that took place over the last 1,000 years. Both of these languages are endangered in Canada and the US, although local communities have made efforts to revitalize the language. (See also Indigenous Languages in Canada.)
Religion and Spirituality
Gici Niwaskw is the “Great Spirit” or Creator in Abenaki and southern Wabanaki tribal lore and spirituality. Sometimes referred to as Tabaldak/Dabaldak (“Lord”) or Niwaskowôgan (“Great Spirit”) in Abenaki, the Creator is a benevolent and abstract being, who does not directly interact with humans. Like other Algonquian tribes, the Great Spirit in Abenaki tales is rarely personified, and oral legends did not assign the Creator a gender.
Gici Niwaskw is said to have created the entire world. In some Abenaki tales, there was no sound or colour until the Creator filled the empty earth with life and light. He commanded Tolba, the Great Turtle, to emerge from the water and form the land. Gici Niswaskw created mountains and valleys on Tolba’s back and clouds above his head. While he slept, Gici Niswaskw envisioned humans and different types of animals. When he awoke, he saw that his dream had become a reality. Different Abenaki people have variations of this and other creation stories, but all generally feature a Creator figure.
While the Creator made the world and the creatures upon it, the details of maintaining and transforming or taming the landscape was given to the cultural hero Gluskabe (Glooscap or Klusklap), who figures importantly in many Wabanki tales. There are various versions of the story, depending on the nation. According to most tales, Gluskabe is not a god, but a cultural hero, a trickster who had supernatural powers and used them to manipulate the world around it, making it more habitable for the humans. For example, he tempered the winds, tamed wild animals and managed the waters. In many tales, he leaves the Abenaki, but promises to return if they ever need him.
The Abenaki are prominent in the journals of explorer Samuel de Champlain, and those of other explorers and missionaries. Between 1600 and 1650, there were approximately 13,800 Eastern Abenaki and 12,000 Western Abenaki. Within a few decades of contact with Europeans, Old World diseases, particularly measles and smallpox, reduced the populations in many communities by up to 98 per cent. Surviving Western Abenaki, withdrew into refugee communities in northern New England and Québec (see Abenaki of the St. Lawrence Valley). The Eastern Abenaki were not as devastated by warfare and disease, and their principal community at Old Town, Maine, has survived to the present.
Traditional allies of the French, the fall of New France left the Abenaki with little defence against English expansion after 1760, forcing them into weak alliances with other tribes formerly allied with the French. The American Revolution split the Eastern Abenaki from the Western Abenaki, most of whom were living in Québec. The Abenaki remained divided in their loyalties through the War of 1812 .
In Québec, the total registered population of Abenaki people on the Wôlinak and Odanak reserves is 1,909 and 2,457, respectively. Abenaki people also reside in other parts of Canada as well as in the US.
Today, most Abenaki are engaged in mainstream occupations of Québec and New England. They continue to be known for the quality of their split basketry and their lively folklore. There are several organizations that exist to foster various aspects of traditional Abenaki culture and to promote broader understanding of their history and arts.
In 1996, the Odanak and Wôlinak Nations filed a land claim for a former reserve located northwest of La Tuque, known as Crespieul. Created in 1894, the Abenaki alleged that the 33.8 km² reserve was ceded to the federal government in 1910 without their proper consent. The claim was accepted for negotiation in 2001; in 2003, the parties began the negotiation process. The claim was settled in 2007. For the loss of their lands, the Odanak and Wôlinak Nations were awarded about $4.8 million.
F. Speck, Penobscot Man (1970);
D.R. Snow, The Archaeology of New England (1980);
Colin Gordon Calloway and Frank W. Porter, The Abenaki (1989);
Colin G. Calloway, The Western Abenakis of Vermont, 1600–1800: War, Migration and the Survival of an Indian People (1994);
Gerard Rancourt Tsonakwa and Yolaiʼkia Wapitaʼska, Seven Eyes, Seven Legs: Supernatural Stories of the Abenaki (2001);
Frederick Matthew Wiseman, The Voice of the Dawn: An Autohistory of the Abenaki Nation (2001);
Henry Lorne Masta, Abenaki Indian Legends, Grammar and Place Names (2008).